https://felixnagl.de felixnagl.de Wed, 03 Apr 2019 11:38:34 +0000 https://felixnagl.de en https://felixnagl.de/pianist-performer Thu, 22 Nov 2018 16:08:43 +0000 felixnagl.de https://felixnagl.de/pianist-performer pianist / performer I wd leave leaf and dance Martin Schüttler (composer), Sébastien Vaillancourt (programming), SWR Symphonieorchester (sampler: Felix Nagl) ________________________________________________________________________________________________________________________________________x-coding Felix Nagl, Jasmin Schädler, Jonas Hummel music by: Betsy Jolas, Enno Poppe, Simon Steen-Andersen, Steven Kazuo Takasugi + AI-based sounds on NSynth-Super x-coding is a concert format that deals with the (de-)coding of musical information, drawing on existing piano and keyboard repertoire to fuse specific sound characteristics through artificial intelligence.&nbsp;The first part is a selection of solo pieces for piano keyboard and live electronics. The works are based on the (de-)coding of musical information. This is conveyed, for example, in Steven Takasugi's piano exercise in the transfer of MIDI data sets into a piano score. In Simon Steen-Andersen's Mono the continuum of the human voice is perceived through a coarse grid, and in Enno Poppe's work the task is to redesign an obsolete digital setup.&nbsp; The second part of the program is a synthesizer performance that uses AI-based neural synthesis to isolate and amalgamate characteristic sounds from the repertoire of the first half of the concert. The result will be a sonic sphere that invites reflection on the identity and causality of sound. The performance artist Jasmin Schädler intervenes the performance with texts and digital content. ________________________________________________________________________________________________________________________________________ &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Radio-K Carlos Hernández Radio-K (2019): For keyboard and orchestra I. II. Interlude III. Cadenza IV. Coda SWR Symphonieorchester conductor: Gregor Mayrhofer keyboard: Felix Nagl composition: Carlos Hernándezsounddesign: Felix Nagl and Carlos Hernández Hochschule für Musik, Stuttgart ________________________________________________________________________________________________________________________________________ Arbeit I &amp; IIIEnno Poppe for virtual hammond-organversion for Sampler (samples provided by Sebastian Berweck ) this recording is an excerpt of the “tiny room” live-stream by Kunststiftung Baden-Württemberg, 31.03.2022 ________________________________________________________________________________________________________________________________________ Vision de la cite interdite (Version for DX7 and tape)Tristan Murail excerpt of a live-stream at Club Voltaire, Tübingen DX7-Patches provided by Sebastian Berweck _________________________________________________________________________________________________________________________________ AtlantysTristan Murail Yamaha DX7 synthesizers: Felix Nagl and Thilo Ruck DX7-Patches provided by Sebastian Berweck ________________________________________________________________________________________________________________________________________ Mono Simon Steen-Andersen&nbsp; Autotune Studyfor low male voice, keyboard &amp; electronicsFelix Nagl: keys, autotune-voice, electronics, video Programm Note: AUTOTUNE is a much used effect in pop music production, sometimes used in “secret”, rather discretely, but just as often used with quite extreme settings as a characteristic effect. The first (main) part of the piece explores or “hacks” the plug-in, trying out its possibilities, bringing it to its limits and looking for the beauty of its flaws. ________________________________________________________________________________________________________________________________________Gloss (selbstportrait #) Philipp Krebs &nbsp; <img width="2550" height="1428" width_o="2550" height_o="1428" data-src="https://freight.cargo.site/t/original/i/e7bf0b783efa303a8cf4d5d9cede44dada9a821fb2092dec46a55fc962a34c04/Bildschirmfoto-2019-03-30-um-12.35.15.png" data-mid="38836062" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/e7bf0b783efa303a8cf4d5d9cede44dada9a821fb2092dec46a55fc962a34c04/Bildschirmfoto-2019-03-30-um-12.35.15.png" />&nbsp;<img width="2550" height="1432" width_o="2550" height_o="1432" data-src="https://freight.cargo.site/t/original/i/e09945c031d71267e6f2b1b415d01ab6703578ccd1da2e6434f0d23f192a1bf3/Bildschirmfoto-2019-03-30-um-12.35.50.png" data-mid="38836061" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/e09945c031d71267e6f2b1b415d01ab6703578ccd1da2e6434f0d23f192a1bf3/Bildschirmfoto-2019-03-30-um-12.35.50.png" /> ________________________________________________________________________________________________________________________________________L'Alouette Calandrelle Olivier Messiaen&nbsp; recorded at Bauer-Studios LudwigsburgMix and Mastering: Jonas Kieser ________________________________________________________________________________________________________________________________________ nodes, various &nbsp; Catherine Lamb Felix Nagl · Catherine Lamb - nodes, various nodes, various (2010) for three ore more oscillators performed on Ableton Push recorded during "tiny room sessions" by Kunststiftung Baden-Württemberg 31.03.2022 ________________________________________________________________________________________________________________________________________Kontakte für elektronische Klänge, Klavier und Schlagzeug &nbsp; Karlheinz Stockhausen private Link to Demo-Video on demand During the rehearsals of „Kontakte", Lucas Gerin and Felix Nagl were driven by Stockhausen's ideal of merging electronic and acoustic sounds. They take the initial idea of the composer to have several instrumentalists improvise to a pre-produced tape as a guideline to an interpretation that also allows for moments of spontaneity within the given time-frames. Gerin and Nagl, who also improvise together with percussion and analogue tape recorders, perceive the electronic and the instrumental layers as a hybrid sound complex, which Uikyung Lee at the mixing console appropriately balances and projects for each room. <img width="2560" height="1260" width_o="2560" height_o="1260" data-src="https://freight.cargo.site/t/original/i/57e0c8ed1a97f3b9072ea30dc8a6fdb441f5da07c5c5101522e2743e25ede4cc/Bildschirmfoto-2019-02-07-um-14.35.13.png" data-mid="38835817" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/57e0c8ed1a97f3b9072ea30dc8a6fdb441f5da07c5c5101522e2743e25ede4cc/Bildschirmfoto-2019-02-07-um-14.35.13.png" /><img width="2540" height="1246" width_o="2540" height_o="1246" data-src="https://freight.cargo.site/t/original/i/8515675d0d6968817ab9bc4d70928589df523b79f196c6b0a9b167d7ca9076fa/Bildschirmfoto-2019-02-07-um-14.28.06.png" data-mid="38835815" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/8515675d0d6968817ab9bc4d70928589df523b79f196c6b0a9b167d7ca9076fa/Bildschirmfoto-2019-02-07-um-14.28.06.png" />&nbsp;<img width="2554" height="1262" width_o="2554" height_o="1262" data-src="https://freight.cargo.site/t/original/i/6306378f8fd43d6000b17a744190f672ede6a665c5935cd482d020f90a9e17f3/Bildschirmfoto-2019-02-07-um-14.18.41.png" data-mid="38835816" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/6306378f8fd43d6000b17a744190f672ede6a665c5935cd482d020f90a9e17f3/Bildschirmfoto-2019-02-07-um-14.18.41.png" /> ________________________________________________________________________________________________________________________________________ taped Felix Nagl, Monika Dalach, Enzo Pauchet, Constance Diard, Fan-Yun Yang&nbsp; Darmstädter Ferienkurse für Neue Musik 2018 dance -&gt;Constance DiardEnzo PauchetFang-Yun Yang sound/stage-direction/video -&gt;Monika Dalach sound/video/performance -&gt;Felix Nagl[ today, we feel like:&nbsp; velor; puffs; lycra tights; glitter; crayon tracksuit; Cyndi Lauper; perm; neon dress; plastic sandals; queen; down vest; ramones; rolled up jeans; XXL hair; cassetes ...] &nbsp;This interdisciplinary work re:imagine the past, re:visit the pathos and re:interpret it in a new way. The goal is to dig through references, re:create them and examine the distance. The process of creation through deconstruction, the process of rewaving through tranformation. Focus on making a new quality based on re:visited archival images from the decade that began on January 1, 1980 and ended on December 31, 1989.________________________________________________________________________________________________________________________________________ BLUBBer Felix Nagl (reel-to-reel tape machine)/Lucas Gerin (no-input-mixer)/Leyla Gersbach (installation)&nbsp; The live improvised noise-collages of found footage and sound-artefacts melt with the BLUBBer (PET-foil) to create a void that becomes a site-specific playground: between us, the sounds, the walls and the city. A thought bubble that dynamically limits and expands perceptible space. <img width="1340" height="887" width_o="1340" height_o="887" data-src="https://freight.cargo.site/t/original/i/1caf67cb716f3d8bdf6049000b3fe24dfdd36071ca0d1fd89aedfa2d632c6607/DSC_0518_1340_c.JPG" data-mid="38778698" border="0" src="https://freight.cargo.site/w/1000/i/1caf67cb716f3d8bdf6049000b3fe24dfdd36071ca0d1fd89aedfa2d632c6607/DSC_0518_1340_c.JPG" /> <img width="711" height="948" width_o="711" height_o="948" data-src="https://freight.cargo.site/t/original/i/b9d0d75d2eba337f8af16c2697f18427cceeb55013ef488e62cd9ce5a758cdf2/-P1010389_711.jpeg" data-mid="38778697" border="0" data-scale="50" src="https://freight.cargo.site/w/711/i/b9d0d75d2eba337f8af16c2697f18427cceeb55013ef488e62cd9ce5a758cdf2/-P1010389_711.jpeg" /><img width="711" height="948" width_o="711" height_o="948" data-src="https://freight.cargo.site/t/original/i/9cb67a5140c680ea31c10ded2a4b09cab3cd1448395aa68ec9b4cfa93f40c9fa/-P1010435_711.jpeg" data-mid="38778695" border="0" data-scale="50" src="https://freight.cargo.site/w/711/i/9cb67a5140c680ea31c10ded2a4b09cab3cd1448395aa68ec9b4cfa93f40c9fa/-P1010435_711.jpeg" /> ________________________________________________________________________________________________________________________________________daughters of the lonesome isle (snippet) John Cage &nbsp; The sound of each prepared note was sampled and can be provided by the performer on demand. ________________________________________________________________________________________________ https://felixnagl.de/sound-designer Thu, 22 Nov 2018 16:08:44 +0000 felixnagl.de https://felixnagl.de/sound-designer sound-designer Jingle-Production Deutscher Tanzpreis / Dachverband Tanz Deutschland Three jingles with different specifications: one for the Gala-Event of “Deutscher Tanzpreis 2022”, one for radio-promotion of the latter and one for variable purposes e.g. a soundtrack for video-documentation. The aim was to develope a sonic idée fix which embodies the wide aesthetic spectrum of “Deutscher Tanzpreis” from traditional to modern perspectives on dance. The result is a festive symphonic motive with pulsating electronic sounds underneath, garnished with some high-frequency sparkles here and then.&nbsp; Felix Nagl · Jingle "Gala" - Deutscher Tanzpreis 2022 Felix Nagl · Jingle "Radio" - Deutscher Tanzpreis 2022 Felix Nagl · Jingle "Warteschleife" - Deutscher Tanzpreis 2022 ________________________________________________________________________________________________________________________________________ Mein Freund, der Baum director: Jeffrey Döring online documentary film-festival #coronacreative Mitteldeutscher Rundfunk Felix Nagl · Sounddesign for "Mein Freund, der Baum" WDR #coronacreative Premiered during the online documentary film-festival #coronacreative of Mitteldeutscher Rundfunk.&nbsp; I improvised on a Access Virus A synthesizer to translate the language of the plants into sounds which are perceptable for the human ear. Starting of with the movements of the animations, I edited my improvisations in Ableton Live 10 and added a few juicy sound-bubbles using the DX7 plugin by Arturia. The abstract nocturnal sound-scape of the plants draw its inspiration from the fact, that communication doesn’t necessarily need words but can happen on a bio-chemical level, too.&nbsp; director/camera/cut: Jeffrey Döring motion-design: Iris Schwarz illustration: Mauricio Sosa Noreña sounddesign: Felix Nagl set-up: Macbook Pro, Ableton Live 10,&nbsp;Access Virus A ________________________________________________________________________________________________________________________________________ Die Hauptsache director: Jeffrey Döring - Deutsches Gehörlosentheater <img width="1200" height="600" width_o="1200" height_o="600" data-src="https://freight.cargo.site/t/original/i/0a733ab5a41ae7187b3b81ce22bccfe4c1ecc2f28bf188d6558926b4481aac71/52633060_2566202663453787_1648262230338174976_o.png" data-mid="38833045" border="0" src="https://freight.cargo.site/w/1000/i/0a733ab5a41ae7187b3b81ce22bccfe4c1ecc2f28bf188d6558926b4481aac71/52633060_2566202663453787_1648262230338174976_o.png" /> Premiered at Carl-Orff-Saal of Gasteig in Munich in 6.1 Surround-Sound (Meyer-Sound)set-up: Macbook Pro, DANTE Virtual-Soundcard, Akai APC Mini, Ableton Live 10 With "Die Hauptsache", the Deutsche Gehörlosentheater goes into hitherto unknown fields. For the first time not only deaf performers are on stage, but also hearing actors. While the deaf actors communicate in German Sign Language on stage, the others use the German spoken language. The gap between languages, misunderstanding and lack of understanding thus becomes the central pivot of the production.This is exactly where the sound-design in "Die Hauptsache" comes in.Low and subsonar frequencies operate as the common physical denominator in the sound perception of hearing as well as deaf people. While deaf people feel it as vibrations in their own body, for hearing people this physical experience is only a partial aspect of the perception of bass. With this discrepancy, the sound design plays out, confronting the listening audience with high frequencies at the other end of the spectrum, but placing a clear focus on the exposure of physically perceptible bass in the form of abstract pulsations, drones, pads and rhythmic patterns, all the way to the danceable 4 / 4 beat. While two languages collide and merge on stage, the sound design can be experienced as an expedition to the edges of the audible, which in many moments of the piece come close together. ________________________________________________________________________________________________________________________________________ paused/boy with thorn JJKropp (Video: Julia Schäfer, Susanne Brendel; Sound: Felix Nagl)&nbsp; A/V-performance @ Fuchsbau-Festival&nbsp;modified found-footage (A/V) from youtube, samples of worn out tape and vinyl set-up: Macbook Pro, Ableton Live 10, Korg Volca Beats, Akai APC Mini&nbsp; Here the two levels of video and sound are operated and reworked separately and in real time. The performers react to each other visually, as well as auditory, creating moments of convergence and alienation. <img width="750" height="422" width_o="750" height_o="422" data-src="https://freight.cargo.site/t/original/i/2e22c638a0656e604cb4dcdc354365e85d73861f0ddfbf12df6561b1533e3b8c/boywiththorn3.gif" data-mid="38833921" border="0" data-scale="61" src="https://freight.cargo.site/w/750/i/2e22c638a0656e604cb4dcdc354365e85d73861f0ddfbf12df6561b1533e3b8c/boywiththorn3.gif" /><img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/535f491cd08f30d7f6e72b54f8ea9fe520a412a1dec32664fb6b50de4c0ed2ec/Felix.gif" data-mid="38833922" border="0" data-scale="61" src="https://freight.cargo.site/w/800/i/535f491cd08f30d7f6e72b54f8ea9fe520a412a1dec32664fb6b50de4c0ed2ec/Felix.gif" />________________________________________________________________________________________________________________________________________ Brennender Schnee Goldstaub Kollektiv In "Brennender Schnee", the audience is put in the position of highly sensitive people. Acoustic, olfactory and visual stimuli are doubled or artificially generated through different media. As a result, one experiences first-hand how the sensory perception of a highly sensitive person may be. On the loose basis of the story "Undine" by Fouqué and the eponymous opera by E.T.A. Hoffmann, two actors and two opera singers guide the audience through the perception of highly sensitive people, including all conflicts with their environment.&nbsp;The performance was preceded by a small exhibition in which the later props of the production could be experienced as interactive objects. The objects themselves stimulated the sense of sight, touch, hearing, smell or taste and were later charged with their very own story. Vocal parts accompanied by electronic sounds and noise alternated with performative processes as well as biographical and fictional narrative texts. The project thus wanted to challenge not only the sensory perception of the audience, but also their behavioral habits in the theater. The sound-design of&nbsp;"Brennender Schnee"&nbsp;uses the method of databending, which describes the process of manipulating a media file of a certain format, using software designed to edit files of another format. As a Analogon to the high sensitiv perception of acoustic stimuli, the distorted-databent audiofiles come with a harsh and glitchy sound-quality, which serves as a Leitmotiv for all audible elements throughout the piece. <img width="2349" height="1566" width_o="2349" height_o="1566" data-src="https://freight.cargo.site/t/original/i/f4cd2fb2b972afbe814a9717cac40b8c4fbee02e38005d8381886da14b7c628d/Fotos-von-Mariam-Haas-9-Kopie.jpg" data-mid="38834142" border="0" src="https://freight.cargo.site/w/1000/i/f4cd2fb2b972afbe814a9717cac40b8c4fbee02e38005d8381886da14b7c628d/Fotos-von-Mariam-Haas-9-Kopie.jpg" /> <img width="480" height="206" width_o="480" height_o="206" data-src="https://freight.cargo.site/t/original/i/214dd183a0836dd1bc343d84f8b3812dd5d48f86988e7996f4f36cf29356caea/Mar-30-2019-12-01-13.gif" data-mid="38835457" border="0" data-scale="100" src="https://freight.cargo.site/w/480/i/214dd183a0836dd1bc343d84f8b3812dd5d48f86988e7996f4f36cf29356caea/Mar-30-2019-12-01-13.gif" /> articel about the working process of “Brennender Schnee” on schloss-post.com &nbsp; ________________________________________________________________________________________________________________________________________ work on workout fashion: Friederike Traub, video: Julia Schäfer, sound: Felix Nagl, makeup: Omer Asaf&nbsp; actors: Lotten Lindenborn, Max Gugenhahn promotion-video for the new outdoor-collection by Friederike Traub and a hommage to the iconic TV-painter Bob Ross. samples took from Bob Ross show “The joy of painting” + some TR-808&nbsp; https://felixnagl.de/bio-pictures-impressum Thu, 22 Nov 2018 16:08:44 +0000 felixnagl.de https://felixnagl.de/bio-pictures-impressum bio_English Felix Nagl (*1991) is a pianist, performer and sound designer in the field of contemporary and experimental music. He prefers to work in the field of tension between digital and analog sound worlds and develops thematic and space-related concert formats in collaboration with artists from other disciplines. His instruments range from the piano to synthesizers, tapes and electric toothbrushes. He performs in clubs and festivals (including Donaueschinger Musiktage, White Noise Club Stuttgart, Exit-Festival Montevideo, Eclat-Festival Stuttgart, Fuchsbau-Festival Hannover, Ultraschall Berlin) and is a founding member of the ensembles Pony Says and y-band. He also works with ensembles such as ensemble ascolta, Collegium Novum Zürich, curious chamber players, PlusMinus ensemble or the SWR Sinfonieorchester and participated in premieres of works by Andreas Eduardo Frank, Sara Glojnaric, Ricardo Eizirik, Philipp Krebs, Ui-Kyung Lee, Jessie Marino, Martin Schüttler and Steven Takasugi, among others. He was a fellow of the Kunststiftung Baden-Württemberg and gives workshops for new and electronic music. Since the summer semester of 2022 he teaches contemporary improvisation at the University of Music Karlsruhe. bio_DeutschFelix Nagl (*1991) ist Pianist, Performer und Sounddesigner im Bereich der zeitgenössischen und experimentellen Musik. Er arbeitet bevorzugt im Spannungsfeld zwischen digitalen und analogen Klangwelten und entwickelt themen- und raumbezogene Konzertformate in Zusammenarbeit mit Künstler*innen anderer Disziplinen. Sein Instrumentarium reicht vom Klavier bis hin zu Synthesizern, Tonbändern und elektrischen Zahnbürsten. Er konzertiert in Clubs und Festivals (u.a. Donaueschinger Musiktage, White Noise Club Stuttgart, Exit-Festival Montevideo, Eclat-Festival Stuttgart, Fuchsbau-Festival Hannover, Ultraschall Berlin) und ist Gründungsmitglied der Ensembles Pony Says und y-band. Außerdem arbeitet er mit Klangkörpern wie ensemble ascolta, Collegium Novum Zürich, curious chamber players, PlusMinus ensemble oder dem SWR Sinfonieorchester zusammen und wirkte bei Uraufführungen u.a. von Andreas Eduardo Frank, Sara Glojnaric, Ricardo Eizirik, Philipp Krebs, Ui-Kyung Lee, Jessie Marino, Martin Schüttler und Steven Takasugi mit. Er war Stipendiat der Kunststiftung Baden-Württemberg und gibt Workshops für neue und elektronische Musik. Seit dem Sommersemester 2022 unterrichtet er zeitgenössische Improvisation an der Hochschule für Musik Karlsruhe. portraits <img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/45bcbbc03841681f1c9299a74f2e99b2e28cb8492deadbf32a1b0704c73dbf98/Felix-Nagl-_DSC5961.jpg" data-mid="163021614" border="0" src="https://freight.cargo.site/w/1000/i/45bcbbc03841681f1c9299a74f2e99b2e28cb8492deadbf32a1b0704c73dbf98/Felix-Nagl-_DSC5961.jpg" /> <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/95ffd4264d1002327011584761e7aa0e89c731b58f9850d7dcbcc5d171226fbb/DSCF3850-Kopie-2.jpg" data-mid="163021544" border="0" src="https://freight.cargo.site/w/1000/i/95ffd4264d1002327011584761e7aa0e89c731b58f9850d7dcbcc5d171226fbb/DSCF3850-Kopie-2.jpg" /><img width="2949" height="4424" width_o="2949" height_o="4424" data-src="https://freight.cargo.site/t/original/i/e16a95ac006ac37875d8700e9f70fe277fd74f8e73dd3df1e44b65197b4d8776/IMG_7582.jpg" data-mid="39128538" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/e16a95ac006ac37875d8700e9f70fe277fd74f8e73dd3df1e44b65197b4d8776/IMG_7582.jpg" /><img width="6336" height="9504" width_o="6336" height_o="9504" data-src="https://freight.cargo.site/t/original/i/2799b54839eb84e283997a6179b56e537e4b6ae71fcccb533eccc500b65b5156/Felix-Nagl-2022---_DSC6605.jpg" data-mid="163023060" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/2799b54839eb84e283997a6179b56e537e4b6ae71fcccb533eccc500b65b5156/Felix-Nagl-2022---_DSC6605.jpg" /><img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/e33b73a79a8f3d1d633e916facde172d9c50759147ed1ce41880eab01fc77cbe/Felix-Nagl-_DSC5968.jpg" data-mid="163021622" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e33b73a79a8f3d1d633e916facde172d9c50759147ed1ce41880eab01fc77cbe/Felix-Nagl-_DSC5968.jpg" /><img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/b25f05f0c3f132efb02c7963dc2680034473b12639e60cbebe4be8424b26779a/IMG_7667.jpg" data-mid="39024802" border="0" src="https://freight.cargo.site/w/1000/i/b25f05f0c3f132efb02c7963dc2680034473b12639e60cbebe4be8424b26779a/IMG_7667.jpg" /> <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/ef8f4540a4bc1611ebd13d3333fc1b88a781279596425ff25b8753e28eb22ecd/DSCF3901-Kopie-2.jpg" data-mid="163022863" border="0" src="https://freight.cargo.site/w/1000/i/ef8f4540a4bc1611ebd13d3333fc1b88a781279596425ff25b8753e28eb22ecd/DSCF3901-Kopie-2.jpg" /> photo-credits: Ronny Schönebaum, Julia Schäfer, Shana Levy, Cristopher Bühler, Tobias Ruppert Impressum Felix Nagl Rüsternweg 3 70597 Stuttgart +49 157 50301032 felixnagl[at]icloud[dot]com https://felixnagl.de/DSGVO Wed, 03 Apr 2019 11:38:34 +0000 felixnagl.de https://felixnagl.de/DSGVO Datenschutzerklärung Allgemeiner Hinweis und Pflichtinformationen Benennung der verantwortlichen Stelle Die verantwortliche Stelle für die Datenverarbeitung auf dieser Website ist: Felix NaglUrbanstr. 6170182 Stuttgart Die verantwortliche Stelle entscheidet allein oder gemeinsam mit anderen über die Zwecke und Mittel der Verarbeitung von personenbezogenen Daten (z.B. 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Quelle: Datenschutz-Konfigurator von mein-datenschutzbeauftragter.de https://felixnagl.de/visit-friends Thu, 22 Nov 2018 16:08:43 +0000 felixnagl.de https://felixnagl.de/visit-friends AAA---AAAAscolta Jonas Bolle Jeffrey Döring Andreas Eduardo Frank Lucas Gerin Sara Glojnaric Carlos HernandézIctus Philipp Krebs Riccardo Laforesta Uikyung Lee Riccardo Marogna Roberto Maqueda Joan-Jordi Oliver Timm Roller Peter Philipp RöhmThilo Ruck Julia Schäfer Jasmin Schädler Martin Schüttler Carlo Siega Julian Siffert Jonas Urbat Viktoriia Vitrenko Sébastien Vaillancourt&nbsp; https://felixnagl.de/Home-Image-Scroll Thu, 22 Nov 2018 16:08:45 +0000 felixnagl.de https://felixnagl.de/Home-Image-Scroll <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/57a265cecd276c51d123e1789c8bc381bbc22c44725882eadc186072ae69a1ee/Suedseite_nachts_241213_C_Max_Kullmann_IMG_6468.jpg" data-mid="238506898" border="0" src="https://freight.cargo.site/w/1000/i/57a265cecd276c51d123e1789c8bc381bbc22c44725882eadc186072ae69a1ee/Suedseite_nachts_241213_C_Max_Kullmann_IMG_6468.jpg" /><img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/38684a05a47f775f35e514d3916d710989c0b8933185ef2d9a4a12c7e1e2e065/Felix-Nagl-_DSC5764.jpg" data-mid="162965209" border="0" src="https://freight.cargo.site/w/1000/i/38684a05a47f775f35e514d3916d710989c0b8933185ef2d9a4a12c7e1e2e065/Felix-Nagl-_DSC5764.jpg" /><img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/624dacb0f47a4ddfce01d58e5e792a540b4c912748444440e5c12c81d8c99c97/Felix-Nagl-_DSC5164.jpg" data-mid="162965718" border="0" src="https://freight.cargo.site/w/1000/i/624dacb0f47a4ddfce01d58e5e792a540b4c912748444440e5c12c81d8c99c97/Felix-Nagl-_DSC5164.jpg" /><img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/ca5dbedf2d24530a3a1e503eee2029b55b4d55ff3c4a65f1ddd24ceff00ba501/Felix-Nagl-_DSC6531.jpg" data-mid="162966353" border="0" src="https://freight.cargo.site/w/1000/i/ca5dbedf2d24530a3a1e503eee2029b55b4d55ff3c4a65f1ddd24ceff00ba501/Felix-Nagl-_DSC6531.jpg" />